Artist Books, Monographs & Texts

ars viva 2025

Wisrah C. V. da R. Celestino, Vincent Scheers, Helena Uambembe

Since 1953, the Kulturkreis der deutschen Wirtschaft im BDI e. V. has awarded the annual ars viva prize for visual arts to outstanding young artists based in Germany. The award honours work that demonstrates a distinct language of form and an awareness of contemporary issues. The ars viva prize 2025 will be awarded to Wisrah C. V. da R. Celestino (b. 1989), Vincent Scheers (b. 1990) and Helena Uambembe (b. 1994).

ISBN 978-3-7356-0995-3

21 × 28 cm

3 x 48 / 1 x 32 pages

Softcover

4 softcovers in slipcase

Languages: German, English

Editor
Min-young Jeon, Kulturkreis der deutschen Wirtschaft im BDI e. V.

Text by
Erik Bordeleau, Eva Fischer-Hausdorf, Haris Giannouras, Min-young Jeon, Peju Oshin, Ana Teixeira Pinto, Kitty Scott

Design by
Dokho Shin

Yinka Shonibare CBE: Suspended States (2024)

This catalogue accompanies the exhibition Suspended States presented at Serpentine South from 12 April – 1 September 2024, revealing Yinka Shonibare CBE’s latest installations, sculptures, pictorial quilts, and woodcut prints. The publication includes newly commissioned texts by Distinguished SUNY Professor Nkiru Nzegwu; Dr. Gus Casely-Hayford, Director of V&A East; curator and poet Péjú Oshin; Alayo Akinkugbe, writer, researcher, and creator of A Black History of Art; and Ann Marie Peña, Chair of Curatorial Programme and a Founding Trustee of the Yinka Shonibare Foundation. Along with a conversation between the artist and Hans Ulrich Obrist, these texts explore the central themes of Suspended States including how systems of power affect sites of refuge, debates on public statues, the ecological impact of colonialization, and the legacy of imperialism on conflict and consequential attempts at peace. The catalogue also highlights Shonibare’s social practice including his Guest Project experimental space in East London and the Guest Artist Space (G.A.S.) Foundation he launched in Nigeria in 2019. The texts range from poetic prose to rigorous examinations of Nigerian aesthetics, often rooted in the author’s personal experience and demonstrating the far-reaching influence of Shonibare’s extensive career across disciplines and generations.

ISBN:

978-1-908617-84-2

Serpentine, London

978-3-7533-0652-0

Magazines

Gagosian Quarterly Fall 2024

Inside, Jessica Beck discusses Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.

The HTSI Dream Issue: guest edited by Yinka Ilori

Code thread – the new language of art

Meet the artists using traditional materials to weave a modern narrative - written by Péjú Oshin (print + digital Saturday 4 May 2024)

Gagosian Quarterly Summer 2023

Inside the issue, we celebrate the centenary of Avedon’s birth with reflections from a range of cultural figures and a personal essay by author and poet Jake Skeets.

The issue also includes Salomé Gómez-Upegui on American artists and reproductive justice; a conversation about themes of identity and liminality in Gagosian’s Rites of Passage exhibition; and features on painters Harold Ancart and Katharina Grosse.

In the serialized fiction feature, Percival Everett continues his gripping tale of a wayward New Mexican artist retreat. The magazine’s pages also honor artistic voices past and present, including those of Clarice Lispector, Dorothy Miller, Brian O’Doherty, Martine Syms, and many more.