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      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/1609246680122-UA9HKJ1OOD3BR1KR9ICM/CR_YoungCurators_PV-26.jpg</image:loc>
      <image:title>SERVICES - So you want to take your project to the next level?</image:title>
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      <image:title>SERVICES - Make it stand out</image:title>
      <image:caption>Cultural Curation &amp; Engagement Péjú Oshin offers expert consulting services to museums, cultural institutions and private collections and foundations seeking to enhance their curatorial practices, audience engagement, and diversity initiatives. Services Included: Curatorial Strategy Development Diversity and Inclusion Audit Youth Engagement Program Design Exhibition Concept Development Cultural Sensitivity Training</image:caption>
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      <image:title>SERVICES - Make it stand out</image:title>
      <image:caption>Speaking Engagements Péjú brings a unique perspective to discussions on art, culture, and identity. Her work focuses on bridging cultural gaps and promoting diverse voices in the arts. Speaking formats Keynote addresses (30-60 minutes) Panel discussions Fireside chats Interactive workshops (2-4 hours)</image:caption>
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      <image:title>SERVICES - Make it stand out</image:title>
      <image:caption>Writing Péjú offers insightful critiques and reviews of contemporary art exhibitions, focusing on emerging artists and diverse cultural perspectives. Writing formats Exhibition reviews (500-1500 words) Artist profiles (1000-2000 words) Thematic essays on art trends (1500-3000 words) Cultural Commentary Academic journal articles (3000-6000 words) Conference papers (2000-3000 words)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/a0a22d95-83b1-492e-b48a-519cf7f19f86/Ars-Viva-cover_600x600%402x.jpg</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>ars viva 2025 Wisrah C. V. da R. Celestino, Vincent Scheers, Helena Uambembe Since 1953, the Kulturkreis der deutschen Wirtschaft im BDI e. V. has awarded the annual ars viva prize for visual arts to outstanding young artists based in Germany. The award honours work that demonstrates a distinct language of form and an awareness of contemporary issues. The ars viva prize 2025 will be awarded to Wisrah C. V. da R. Celestino (b. 1989), Vincent Scheers (b. 1990) and Helena Uambembe (b. 1994). ISBN 978-3-7356-0995-3 21 × 28 cm 3 x 48 / 1 x 32 pages Softcover 4 softcovers in slipcase Languages: German, English Editor Min-young Jeon, Kulturkreis der deutschen Wirtschaft im BDI e. V. Text by Erik Bordeleau, Eva Fischer-Hausdorf, Haris Giannouras, Min-young Jeon, Peju Oshin, Ana Teixeira Pinto, Kitty Scott Design by Dokho Shin</image:caption>
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      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Adelaide Damoah - Radical Joy (2021) Hagemeier, Daniel (Editor); Mancio, Dr. Marie-Anne (Author); Matlhare, Sakhile (Author &amp; Editor); Oshin, Péjú (Author)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/a59374a6-5646-42b5-8641-6c755347eddc/IMG_2482.png</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Yinka Shonibare CBE: Suspended States (2024) This catalogue accompanies the exhibition Suspended States presented at Serpentine South from 12 April – 1 September 2024, revealing Yinka Shonibare CBE’s latest installations, sculptures, pictorial quilts, and woodcut prints. The publication includes newly commissioned texts by Distinguished SUNY Professor Nkiru Nzegwu; Dr. Gus Casely-Hayford, Director of V&amp;A East; curator and poet Péjú Oshin; Alayo Akinkugbe, writer, researcher, and creator of A Black History of Art; and Ann Marie Peña, Chair of Curatorial Programme and a Founding Trustee of the Yinka Shonibare Foundation. Along with a conversation between the artist and Hans Ulrich Obrist, these texts explore the central themes of Suspended States including how systems of power affect sites of refuge, debates on public statues, the ecological impact of colonialization, and the legacy of imperialism on conflict and consequential attempts at peace. The catalogue also highlights Shonibare’s social practice including his Guest Project experimental space in East London and the Guest Artist Space (G.A.S.) Foundation he launched in Nigeria in 2019. The texts range from poetic prose to rigorous examinations of Nigerian aesthetics, often rooted in the author’s personal experience and demonstrating the far-reaching influence of Shonibare’s extensive career across disciplines and generations. ISBN: 978-1-908617-84-2 Serpentine, London 978-3-7533-0652-0</image:caption>
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      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Complex Fabrics: Unthreading our identities (essay) - Patrick Quarm, Albertz Benda, 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/886fa755-9f6c-4f20-bab5-96133ca0a9de/IMG_7637.jpg</image:loc>
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      <image:caption>A New Country - Kaloki Nyamai, Gallery 1957, 2021</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/3fa320b6-a581-428c-bcbb-ed76a9aef919/Pd8yIUxoF9LD_300x300.jpg</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Gagosian Quarterly Summer 2025 Jenn Nkiru’s capacious career spans from directing music videos for Beyoncé to participating in the Whitney Biennial. Here, Péjú Oshin interviews Nkiru about her latest film, THE GREAT NORTH, an exploration of the Black history and architecture of Manchester, England. The two discuss the film’s formal and historical considerations and its place in Nkiru’s artistic practice.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/e73f4d1b-6d90-4cda-8fa7-b0d675df89cc/The+HTSI+Dream+issue+.jpg</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>The HTSI Dream Issue: guest edited by Yinka Ilori Code thread – the new language of art Meet the artists using traditional materials to weave a modern narrative - written by Péjú Oshin (print + digital Saturday 4 May 2024)</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/c13e3869-6ebd-48ee-8174-f0c952e12e2d/Screenshot+2026-03-04+at+17.44.50.png</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Gagosian - May 2025 (online edition) A Sense of Abundance Péjú Oshin visits Christine Checinska, senior curator of African and diaspora textiles and fashion at the Victoria &amp; Albert Museum. From her London office, Checinska shares her curatorial insights into the international traveling exhibition Africa Fashion, which originated at the V&amp;A, and the Costume Institute’s current show Superfine: Tailoring Black Style at the Metropolitan Museum of Art, New York. The conversation delves into notions of diaspora, memory, homecoming, and the freedoms of being “anti-disciplinary.”</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/2ac99f55-f033-48cc-87f8-87fd225766f1/Screenshot+2023-09-17+at+4.27.41+pm.png</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Gagosian Quarterly Summer 2023 Inside the issue, we celebrate the centenary of Avedon’s birth with reflections from a range of cultural figures and a personal essay by author and poet Jake Skeets. The issue also includes Salomé Gómez-Upegui on American artists and reproductive justice; a conversation about themes of identity and liminality in Gagosian’s Rites of Passage exhibition; and features on painters Harold Ancart and Katharina Grosse. In the serialized fiction feature, Percival Everett continues his gripping tale of a wayward New Mexican artist retreat. The magazine’s pages also honor artistic voices past and present, including those of Clarice Lispector, Dorothy Miller, Brian O’Doherty, Martine Syms, and many more.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/361cce70-8c9f-45a7-b586-aa60639444a1/Rjn_cHPbjAbl_300x300.jpg</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Gagosian Quarterly Fall 2024 Inside, Jessica Beck discusses Andy Warhol’s Mao series, contextualizing Warhol’s return to painting in the early 1970s and his attraction to subjects of notoriety. We dig into the archives to honor the inimitable Richard Serra, who had over forty exhibitions at Gagosian since his first in 1983. Elsewhere in the issue, Salomé Gómez-Upegui examines the work of artists confronting the climate crisis, and Péjú Oshin speaks with Jayden Ali about his expansive view of architecture.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/db865bf3-24fd-4dae-92a6-a6759fa7e04f/mag-1-1.jpg</image:loc>
      <image:title>Publications &amp; References - Make it stand out</image:title>
      <image:caption>Future of Museums: Increasing diversity to establish a sense of ownership, Museum-iD magazine, Issue 20, 2017</image:caption>
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      <image:caption>Between Words &amp; Space, 2021</image:caption>
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      <image:caption>Markers - Estuary Festival, 2021</image:caption>
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      <image:title>PRESS - IMG_4242.jpg</image:title>
      <image:caption>Screenshot of a webpage from The Art Newspaper with a headline about Tony Adams and Julian Wild becoming curators for an exhibition in London.</image:caption>
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      <image:title>PRESS - Artboard+1-3.png</image:title>
      <image:caption>Péjú Oshin standing in a kitchen in 'baggy barrell dad' midwash levis denim jeans and stone wash levis shirt</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Black and white photo of three women in matching sequin dresses, laughing and posing together, with the word "GAGOSIAN" overlayed.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>A woman with long platinum blonde braids wearing a black blazer and white shirt, standing against a blue background, with text that reads 'hube interview' and 'Péjú Oshín'.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>A woman with long blonde braids sitting on a chair in front of a blue background, dressed in a black blazer, white button-up shirt, and black pleated skirt, with black shoes.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Screenshot of The New York Times article titled 'History and Humor Inspire Victor Ehikamenor's Art.' The article mentions the Nigerian American artist debuting rosary tapestries at Art Basel Hong Kong, examining the disappearance of historical memory.</image:caption>
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      <image:title>PRESS - IMG_4245.jpg</image:title>
      <image:caption>A woman with long blonde braids sitting on a chair against a dark blue wall, dressed in a black blazer, white blouse, and black pleated skirt, with a serious expression.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Péjú Oshin – First Show At Gagosian</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>A woman with blonde braids wearing a pink blazer, sitting behind a stack of books, resting her chin on her hands, smiling against a pink background.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Text about an exhibition called 'Rites of Passage at Gagosian,' reviewing three pieces by different artists, curated by Péju Oshin.</image:caption>
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      <image:caption>Logo for the Huo Family Foundation in black text on a white background.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>The Guardian newspaper website page featuring an art article about the rites of passage, with an image of tall, colorful, and elaborate puppet-like figures on stilts, set against a cloudy sky background.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Cover of a book titled "Bankside: From My Side with Péju Oshin" featuring a portrait of a woman with a short, sleek hairstyle, wearing a black turtleneck, standing against a light background with shadows cast on the wall.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>An art installation featuring two large, colorful portraits projected on a screen with a wire mesh and black tape, creating a layered visual effect.</image:caption>
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      <image:caption>Black background with white text reading "Mayor of London".</image:caption>
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      <image:title>PRESS - IMG_4261.jpg</image:title>
      <image:caption>Painting of two humanoid figures with animal characteristics, intertwined in a dance, against a colorful background with plants and a cloud.</image:caption>
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      <image:title>PRESS - IMG_4257.jpg</image:title>
      <image:caption>Poster for Gagosian London's event titled 'Rites of Passage – Group Show,' featuring a photo of three tall, colorful, artistic figures with elaborate costumes, standing on a dirt path with a cloudy sky in the background.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/f1bba789-dad3-40d9-9d2c-3d0f3d897a0f/bbc-nations-2022-template-b-a0f449d7-fd0d-405b-8884-b50d4690ecb4.PNG</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>Péjú Oshin is interviewed by Kim Davis on BBC</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/1722265612113-7YJSUO3T0WF72REGQ5HN/IMG_4262.jpg</image:loc>
      <image:title>PRESS - IMG_4262.jpg</image:title>
      <image:caption>Photo of three artistic puppets or sculptures dressed in elaborate costumes, standing outdoors against a cloudy sky and a seawall.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/ab02755e-4343-4135-9bce-adf2e7c4b9b0/talk+art+-+pe%CC%81ju%CC%81+oshin.jpeg</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>We meet Péjú Oshin, a British-Nigerian curator, writer and lecturer born and raised in London. Her work sits at the intersection of art, style &amp; culture with a keen interest in liminal theory and diasporic narratives. Core to her practice is working with visual artists, brands and people globally.</image:caption>
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    <image:image>
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      <image:title>PRESS</image:title>
      <image:caption>A photo of Peju Oshin with blonde braids and hoop earrings wearing a red leather jacket, looking at the camera for the Financial Times published 6 October 2022.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/bc1d488d-7521-4dd6-a0e4-68e24a485673/shade.jpeg</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>Péjú Oshin is the Associate Director of Gagosian Gallery and curator of Rites of Passage the exhibition featuring work by nineteen contemporary artists who share a history of migration. Rites of Passage explores the idea of “liminal space,” a coinage of anthropologist Arnold van Gennep (1873–1957). It is structured in correspondence with liminality’s three stages: separation, transition, and return. Each of these phases addresses the act of movement, not only through individual experience, but also in the broader context of community. The exhibition examines the status of postcolonial Black identity, specifically the “triple consciousness” experienced by members of the African diaspora when encountering counterparts who identify with local majority populations. Péjú shares the personal and professional journey behind curating this exhibition, plus the impact and legacy of BLM 2020 on her previous role as Curator of Young People's Programmes at Tate and beyond. We round up exploring the visible public positioning of a curator and how the contemporary media landscape informs working practices.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/cc18451f-4015-42e8-97e7-1fad912fbee0/IMG_4244.jpg</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>News article titled "Peju Oshin - Associate Director at the Gagosian Gallery" from Business Day, featuring a photo of Peju Oshin with blonde braids and an orange jacket, published on September 23, 2022.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/90250835-33da-4dfe-84f5-c000f613c114/cover-image-k8iyrieu-dig_0076_podcast_tao_1080_x_1080_v5.jpg</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>Black women always emerge as pioneers throughout history. From art, to science, to activism and sport, Black women are a force. Yet we live in a world where Black women are expected to be strong. They are expected to be support systems for others, to spearhead political movements, to jump three times as high. It can feel like the world is resting on their shoulders. So how do Black women find space and time to reflect and heal? This episode of The Art Of ... explores how Black women and non-binary folk have used art and creativity as a caring space. It could be capturing and embracing healing rituals through photography, like Khadija Saye. It could also be carving out physical space for art therapy or pole dancing, where Black women and non-binary people can centre their minds and bodies. The episode presents the wealth of knowledge from Black women and non-binary people in taking care of themselves. The Art of Healing is a Black female-led production. It is hosted and co-produced by Pelumi Odubanjo and Shanelle Callaghan, two young curators from The Factory programme at 198 Contemporary Arts &amp; Learning - a Black-led gallery in Brixton. Hear the hosts chat with Kelechi Okafor, Dawn Estefan, Peju Oshin, Nina Franco, Aïcha Mehrez and Alice Insley. This episode was a Stance Studios production for Tate Exchange and Tate Collective, produced by Nicole Logan, Shanelle Callaghan, Pelumi Odubanjo and Assistant Produced by Deborah Shorinde. Executive Produced by Crystal Genesis.</image:caption>
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    <image:image>
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      <image:title>PRESS</image:title>
      <image:caption>Peju Oshin with long blonde braids wearing an orange leather jacket and hoop earrings, looking at the camera with a serious expression, in an indoor setting.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5fea5b27ccf6bb6d90806810/1618648048730-B6UZB36BK0A97A8QUEOU/IMG_0420.jpg</image:loc>
      <image:title>PRESS</image:title>
      <image:caption>Péjú Ọshin, a British-Nigerian Arts curator (Young People Programme at the Tate) and educator (Central Saint Martins), joins us to discuss the legacy she’s building as well as the stories that made an impact on her life - like as watching an episode of Judge John Deed where the lawyer dies and consequently stopped her from becoming a lawyer to playing blackjack in college common room and reading Small Island which encouraged her to create spaces for immigrants to feel proud and safe... and so much more.</image:caption>
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      <image:title>PRESS - IMG_4251.jpg</image:title>
      <image:caption>Colorful title graphic reading 'I AM THE NEW GENERATION' at the top of a webpage. Below, a navigation menu with options 'Art &amp; Culture' and 'Lifestyle.' The main headline in bold black text states, 'Young emerging artists take over the streets of London with a new artwork project 'Beyond Boundaries'— aimed at...'</image:caption>
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      <image:title>PRESS - IMG_4263.jpg</image:title>
      <image:caption>Colorful mural on a building wall depicting a landscape with a winding river, a green park with pathways, and hands holding a map. The mural features signage that reads 'Community' and phrases like 'Here' and 'There.'</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Book cover for Peju Oshin titled 'The Other Art Fair,' featuring a portrait of a woman with short black hair, wearing a black top and a necklace, with sunlight casting shadows on her face and background.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>A man and a woman seated and talking in a modern indoor space with plants and a decorative light fixture.</image:caption>
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      <image:title>PRESS</image:title>
      <image:caption>Screenshot of a webpage titled "Mayor of London London Assembly." The page features a blog post titled "Volunteering as a student gave me the chance to see the real world" with a photo of a smiling woman with dark braided hair in a black top, standing inside a train station or transit hub.</image:caption>
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